Wilhelm Trubner

German, 1851-1917 was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".


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Wilhelm Trubner Park Knorr am Starnberger See oil


Park Knorr am Starnberger See
Painting ID::  89937
Park Knorr am Starnberger See
1908(1908) Medium Deutsch:English: oil on canvas Dimensions 62 x 75,5 cm cjr
   
   
     

Wilhelm Trubner Studie zur Begrubung des deutsches Kronprinzen oil


Studie zur Begrubung des deutsches Kronprinzen
Painting ID::  90381
Studie zur Begrubung des deutsches Kronprinzen
1903(1903) Medium oil on cardboard Dimensions 32,3 x 50 cm cjr
   
   
     

Wilhelm Trubner Adler oil


Adler
Painting ID::  90384
Adler
1888(1888) Medium oil on paperboard Dimensions 52,5 x 74,5 cm cjr
   
   
     

Wilhelm Trubner Flower Vase oil


Flower Vase
Painting ID::  91016
Flower Vase
oil on canvas Dimensions 30 x 22.5 cm (11.8 x 8.9 in) cyf
   
   
     

Wilhelm Trubner Lake Starnberg oil


Lake Starnberg
Painting ID::  91302
Lake Starnberg
1911(1911) Medium oil on canvas Dimensions 40 x 50.2 cm (15.7 x 19.8 in) cyf
   
   
     

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     Wilhelm Trubner
     German, 1851-1917 was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".

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